4 minutes 5 seconds| This piece, originally called Barium Coat Sleeve, has particular significance because I was writing the last repeat of the opening theme at the time of my mother’s passing. I finished this mostly upbeat tune after returning from the funeral, but my output notably decreased going forward.
I regard this as one of my favorite compositions, and though at the time I did not think it relatable to my mother in any obvious way, I have since come to link my listening experience of it to that time. Indeed, as time goes along, I see the youthfulness in my early pieces ebbing away. This eternally young feature owed to the immortality a mother imparts to a child while she endures. Here is a passage from my novel in-progress. These lines were penned roughly about the time this piece of music composed:
“Truly Lowell lost his immortality when his mother died, as well as whatever super powers he imagined he possessed up to then. He would no longer be a son, except to those family relations who, like stone veins in church window tracery, prefigured or outlived her. Nor in his estimation would he ever again be the blue-eyed darling whose achievement was a promise to be fulfilled. The puer aeternus was coming to grips with a geography that had been a settled order for a long while.”
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