Comics Portfolio 6
Early Samples of a Budding Cartoonist (1966-1970): Apart from a copious output of product, I do not see much in my earliest comic efforts beyond enthusiasm. However, skipping ahead several decades before returning to this art form did not deprive me of whatever I learned from the experience.
In the purge of 2021, I destroyed nearly all of these childhood comics, save some of the earliest ones. I also spared a few representative pieces from the next decade. Two non-cartoon drawings from my teenage years may be seen on the first page of my Sketchbook.
By 1970, I was making comics as fast as I could draw them, and with little self reflection. I was, nevertheless, a sponge for the popular culture of the late 60s, and turned this appropriation into something uniquely my own.
Tom, Dick, and Harry: The first examples shown below are from a series of comics I made in early grade school called Tom, Dick, and Harry. I was fonder of creating lists of characters than actually writing stories.
The Big Nose Drawings: Two examples from a series of cartoon characters based on hippies, birds, and political caricatures. This work was completed around 1970. Influences included Mad Magazine and Ed “Big Daddy” Roth’s hot rod bubble gum card monsters.
Other Comics: The comic panels below are from a small book of comics called The Bishop’s Elbow, which included comic strips made throughout my teens. A clear influence of The New Yorker is seen. This was me trying to think like a syndicated cartoonist.
Consistent was my challenges in writing and spelling at this time, the word “ideal” was improperly used in the next example. The correct word should have been “idea.”
This last comic was part of a syndicate batch that I never mailed. It predates Blender Kitty, but not by much.
Copyright © 2019 michael l. teague all rights reserved.